What Are You Waiting For?
52-year-old gnaws through the cocoon.Call to Mosaic Artists: Flights of Fancy
Show us your Whimsy! Bees’ knees, purple trees, humongous nests, the witch of the west, broken crockery birds or a chair made of herbs — go mythical, magical, fanciful and fabulous to give your imagination free reign on 2-D or sculptural pieces that defy the humdrum. Art in any medium, style or size, will be considered. Exhibited work is not limited to mosaic but, as always, mosaic art is especially welcome.
For a full prospectus, go here and click on Flights of Fancy. Digital submission deadline March 1. International Juried Exhibition runs April 2 – May 21, 2010 with receptions Friday, April 2 and Friday, May 7 at Ciel Gallery, Charlotte, NC.
Shown above, Jocasta, by Australian Artist Marian Shapiro, from her series of Forbidden Fruits.
Tickle our fancy. Seven weeks left to pull out the stops and splash a little whimsy across these winter blahs.
Promises to Keep
I am, these days, a poster child for depression: unwashed, unclothed, unkempt, unmotivated. But strangely not depressed. Well, maybe a little, but it’s more an easing, an inching, a cautious seepage toward the new, the unknown (and frankly unwanted).
Change in the New Year is, of course, so largely mythical. And yet sometimes change doesn’t need to be tangible to be real. The symbolism alone can be crippling.
I don’t do change well. I don’t go to bed well. I don’t get up well. Don’t like to get in the shower; don’t like to get out of the shower. I love life, but the segue between episodes can throw me into a dither.
“I wake to sleep, and take my waking slow./I learn by going where I have to go.” Theodore Roethke’s tenuous broachings became a mantra when I traveled through Greece alone for three weeks, knowing no one, not speaking the language. I was forty-two, coming out of a dark place in the midst of a charmed life, and those words have worked magic on me ever since.
And so you will find me at the start of every new year, poised for the weeks-long morning of pajamas, tea and fire, short of words but long on the silent questioning dance with whomever lives inside me.
And it will lead me along the long road home, toward those promises I keep . . . but slowly. Have patience.
And yet, as changes go, this year will bring some of the largest for me: the marriage of my firstborn, the college graduation and home-leaving of my baby, the declining health of my sole remaining parent, the impending cross-country move of my son, two very grand art achievements, the tearful closing of Ciel Gallery, an intense two-year labor of love, and decisions about my path from here. Pajamas and tea, indeed.
I recognize, of course, that change, even dreaded change, often brings unexpected blessings, and even less blessed changes help us evolve, most often for the better, kicking and screaming attendant. But evolution requires action, a meeting head-on and toe to toe with our hearts on our sleeves and our brains ready to verbalize and vocalize. Backs straightened, eyes peeled, belts tightened, no shields. I like being a warrior, but I can get pretty whiny when the battle isn’t on my own terms.
But the promises I’ve made will rouse me, stumbling toward Saturday classes, weekend workshops, dinners and swim meets, deadlines, and the occasional requisite cleaning. Every smile will help me loosen the grip on the shield, step into the future, open the heart a bit more. But the goodbyes will never flow as easily as the tears, and I suppose that saline cleansing is part of the plan. So bring it on Life. Almost ready.
“This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.”
Bears Do It
The house is de-frocked and the champagne chugged, with leftovers picked apart, floors de-needled, the last family member waved off, and even the cat has lost interest in the sole remaining pile of boa-fluffed stockings. I celebrated the official end of this holiday season by wearing my pajamas until 4:00 and then, finally bra-ed and tee-shirted, curled into the Big Leather Sofa with my blankie for three hours of CSI Las Vegas. Hibernation Season is upon me.
If January is synonymous with Beginnings, why is it so cold, so drear, so wet, so gray, so solitary, so comfortless? The only reason I can imagine is that the universe conspires to bring us into ourselves to create an internal nest that will warm us, heal us, reinforce us for the year ahead.
I don’t see abundant evidence that the human race is so universally evolved as to view the new year as a time of introspection. Sure we make resolutions, but 90% seem to involve diet and exercise, and a look in any direction provides ample evidence that the healthy eating promise is rarely kept. On New Year’s Eve we’re all eager to ring in a new annum that “can’t be any worse than this year,” and yet we’ll almost certainly be aping the same refrain at the close of 2010. Hope springs eternal, and yet how do we actively intend to put away the old and bring forth the better?
Maybe in the case of new beginnings, we take action through inaction, by curling up like bears turning our bundled backs on the world we’ve known and diving within to seek new possibilities, new paths, new nuts, new berries. I can spend hours staring at a pattern in the carpet, the steam from my tea, or colored chunks of glass awaiting an adhesive. And oddly, it feels good, and it feels good in the same way that finally cleaning the house feels good, or throwing out half of an uneaten sugary candy bar. It feels healthy. And holy.
Here’s wishing you an extra layer of fleece, a log on the fire, and a week’s worth of stew in the crock pot. I’ll be dancing in the streets with the first spring thaw, but for a few more days, bring on the holy. I won’t be answering the phone.
Winter Whites at Ciel Gallery

Kaye Iverson, Aspens in Winter
October 5 is the deadline for Ciel Gallery’s November/December juried exhibition, Winter Whites. With entries already in from Australia, Cyprus, Monaco, Canada, and the US, this show promises to rival our current Contemporary Mosaic Art 2009 in its international-ness. Primarily fine art mosaic, the exhibition will also feature textiles, watercolor, acrylic and photography. For a full prospectus, go here.
I’m avalanche-ally excited about this show. Last year’s Simply Red was a bonfire-al success. The artists loved creating the heat and visitors basked in it. This year we’ll put the chill on. With an almost total absence of color, Winter Whites will be a textural banquet, and a deliciously apt follow-up to our neighbor Charlotte Art League’s October exhibit, Art Beyond Sight — that which tickles the four less used senses rather than the rods and cones of our retinas.
I am an unabashed color slut, but these Winter Whites are tickling my fancies big time.
Submit; Partake; Revel; Glean; Go Forth.
But I Loved that Man . . . .
I hate politics. Always have. There isn’t a sentence you could utter about any politician on earth that I wouldn’t believe, no matter how bizarre, how far outside the bounds of credible human behavior. Except Mark Sanford. I loved that man.
I uttered as much to the father of my children last week, and he replied, “I feel the same. He was my Tar Tudent. Character matters, and I hope he has boatloads. He’ll need it.” Indeed. Read the rest of this entry »
The Menopause Diet

My name is Pam, and I am in a Bad Mood.
If you’ve read Sex in the Fifties, you’re probably aware that I’ve been in a Bad Mood since that first hot flash in June 2006. I’ve heard that hot flashes can continue for 10 years. A very bad mood indeed. Read the rest of this entry »
Fall Color Wheels
I’ve just returned from a visit with my sister in Virginia, and the October slant of the sun is currently pickling even the lowliest subject matter into a sparkling celebrity in Fall’s Five Minutes of Fame. I’m a snap and run kinda girl, not by nature but by practice, stealing as many shots as I can while companions wait with varying degrees of patience ten paces ahead.
Not every face is lovely, but this one is Beyond Beautiful. Ancient Indian elephant, Wise Woman, patterns of dew-starved earth? Fall colors steal the show, but I’ve always been a sucker for the overlooked.
Art: Not (Just) a Pretty Picture
Ciel Gallery’s exhibition entitled The War Against Peace presents the responses of artists across the nation as they ponder the question of why we continue to cry for peace and simultaneously continue to wage war. Best of Show winner Janet Kozachek, whose Fallen Floyd is pictured above, illustrates the emotional and physical torture of war in stone and handmade ceramic. Phil Fung’s War and Peace depicts a hundred or so maniacal Read the rest of this entry »
Mosaic Howl
Okay, random things first. In between my too-many pursuits, I finally finished Howl, my mosaic protest piece, just in time for the opening of The War Against Peace Exhibition at Ciel Gallery. I chose to work this piece in a folk-art style, because it is so often the “child” within us that reacts most instinctively to the atrocities around us. The image depicts a Peace Angel howling in anguish over the current state of Man and Earth. Alphabet Millefiori spell out her howls as she flies over the land surveying our lives below. This piece uses vitreous, smalti, millefiori, glass beads, and shell. Click on the image to enlarge and read the messages.
Community Mosaic Project Gluefest 1
The great thing about mosaic artists is that they just never want to put down the nippers. So what starts out as “just finishing this one little section” ends up with you staring zombie-like across a cup of steaming tea while a Dear One utters words that sound oddly like, “What happened to you? You never came to bed last night?” Hence the Premier Gluefest of Charlotte Art League’s Community Mosaic Project was a howling success, Read the rest of this entry »

